Written By Mauricio Segura // Image Created By: The Golden Bay Times Graphics Dept.
NOV 5, 2026
Along California’s rugged San Mateo County coastline, where Pacific waves crash against rocky cliffs and morning fog drifts through quiet seaside neighborhoods, something extraordinary happens behind otherwise ordinary front doors. Paintbrushes, pottery wheels, cameras, and woodworking tools become instruments of imagination, transforming homes and workshops into places where artistic expression takes center stage. On November 21 and 22, the Colony of Coastside Artists will invite the public into this creative world during its 19th annual Fall Open Studios, an event featuring 59 artists exhibiting their work across 33 locations between Half Moon Bay and Montara.
Unlike conventional art exhibitions, where finished pieces hang silently beneath carefully positioned gallery lights, this two-day celebration brings visitors closer to the people and processes behind the artwork. The self-guided experience allows guests to explore individual studios, meet local creators, and discover how everyday materials become something worth admiring. Admission is free, and participating locations will welcome visitors from 10 a.m. until 5 p.m. each day.
The event also tells a remarkable story about the growth of an artistic community. Established in 2010, the Colony of Coastside Artists, commonly known as CoCA, began as a gathering place where emerging and experienced artists could exchange ideas, build friendships, and share their creative pursuits. What started with 21 artists exhibiting at six locations has evolved into an organization that now holds open-studio events twice annually.
The variety of artwork offers an opportunity to explore creativity far beyond traditional painting. Visitors can encounter ceramics, photography, handcrafted jewelry, woodturning, mixed-media compositions, textiles, and decorative objects. Some artists transform familiar materials into unexpected creations, while others use techniques refined through years of experimentation and practice.
In Half Moon Bay, Craig Barton's Creations introduces visitors to woodturning, a craft that transforms pieces of timber into carefully shaped objects. Kim Zaidain takes another approach to working with wood, creating hand-painted furniture from reclaimed pieces. Both demonstrate how an ordinary material can acquire a completely different identity through imagination and craftsmanship.
Farther north in Moss Beach, the artistic possibilities become equally diverse. Aileen Cain specializes in fused glass, a process that uses heat to combine pieces of glass into decorative creations. Nearby, Kathleen Martin brings photography into the conversation, offering another way of interpreting the world through composition, light, and perspective. Coastal Dawne incorporates shells and driftwood into mixed-media work, demonstrating how materials associated with the shoreline can find a second life through artistic expression.
Montara adds another dimension to the experience. Barbara Greensweig works with oil painting and gouache, while Rob Buelteman specializes in fine art photography. Julie B. Studio presents handcrafted jewelry incorporating materials such as gemstones, pearls, and beads. With more than four decades of jewelry-making experience, Julie Buelteman has described the coastline as an enduring influence on her creative life.
That relationship between environment and artistic identity provides one of the event's most compelling themes. The Coastside offers a distinctive combination of ocean scenery, wooded hills, changing weather, and small communities. Although each artist interprets these surroundings differently, the landscape provides a shared geographical backdrop for an unusually broad collection of creative voices.
Just as interesting is the opportunity to discover how artists approach their work. A finished ceramic vessel might appear effortless on display, yet its creation requires decisions about form, texture, firing, and finish. A photograph represents only a fraction of a second, but its composition can reflect years of developing an artistic eye. Even a simple piece of jewelry can involve careful choices about materials, balance, and construction.
Open Studios makes room for conversations about those decisions, giving visitors an experience that conventional exhibitions cannot always provide. The opportunity to speak directly with creators also changes the relationship between artist and audience. Instead of encountering art as an anonymous product, visitors can better understand the individual experiences, techniques, and ideas that influence its creation.
With 33 locations spread across several coastal communities, organizers encourage visitors to plan an entire weekend rather than attempting to squeeze everything into a single afternoon. Maps and artist information are available through the organization's official website, allowing guests to select destinations according to their interests.
For residents and travelers alike, the event offers a different perspective on a coastline often associated with beaches, scenic drives, and oceanfront restaurants. Behind those familiar attractions exists a thriving community of artists whose work contributes another layer to the region's cultural identity.
Ultimately, Fall Open Studios celebrates more than paintings, pottery, and handmade treasures. It demonstrates what happens when creative individuals build a community around their shared passion and invite others to participate. For one November weekend, the most interesting discoveries along the Coastside might not be found beside the ocean, but inside the studios of the people who call it home.